with work by Laleh Firoozi, Alexandros Kaklamanos, Yukari Matsumoto, Paulina Mellado and Dimitris Rentoumis. Curated by Thomas I’Anson
The final exhibition of graduating artists from the MFA AKV/St.Joost represents two years of research and development by the participants culminating in this common point of departure. It includes performances, readings, discussions and screenings that take place across the duration of the exhibition (19-29 June). Please refer to ClubSolo’s website for more information regarding these activities
Laleh Firoozi (IR) utilizes many traditional skills, as well as writing and performance, has created her own mythology in the project There was a little bit of devil in her angel eyes. Through her characters, she boldly explores her sexuality with pornographic detail provoking questions not only for the audience but also herself.
performance : There was a little bit of devil in her angel eyes
(left) Bloody ocean (middle) Land of devil-angels (right) Land of dream and sex
Alexandros Kaklamanos (GR) presents three video works, two of which are formed from personal narratives, mythological symbols and current socio-political issues. Alex uses his body, immediate surroundings and found footage to create these works. They are both hauntingly familiar in their scenery yet dream like in their execution
video installation of the short film full circle
video still of the short film MiCROCOSM
Part of Yukari Matsumoto’s (JP) work encapsulates an extensive body of research surrounding the history, hearsay and folklore of one of the largest and oldest trees in the Netherlands. Exploring this subject she has created a new frame of reference for the tree as a cultural marker and elucidated and expanded upon a field of research of social, cultural and artistic significance which transcends its own site-specificity.
De Linde van Sambeek #2, Inner Garden (Collective)
Interview / Stichting Wereldboom
Paulina Mellado (CL) presents works from an ongoing investigation that creates a convergence between natural and artificial forms. Using painting, drawing, sculpture and installation, forms emerge that approach a proximity to nature that entwine these realities into a quintessential view that is both surreal and enchanting.
(left) Groningen (right) Stationsweg
Described by Dimitris Rentoumis (GR) as ‘hybridic projections with a provisional effect’, his installations, such as what is shown in the exhibition, engender a feeling of familiarity through pattern and repetition that combine the use of drawing and computer software to arrive at something ambiguous in both form and concept.
In September to celebrate this exhibition, a publication by designer Stefano Faoro(IT) and external advisor Thomas I’Anson (GB) will be presented in relation to the exhibition and the show’s prevalent themes
texts by Thomas I’Anson