Come visit us at the Den Bosch campus for Open Studios

openstudiosOpening Hours;
30 june 4pm until 8 pm
2 juli 11 am until 6 pm
3 juli 11 am until 6 pm
4 juli 5 pm until 9 pm

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You are cordially invited!

At Club Solo Breda

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WKNDEXPO, a new series of one-weekend exhibitions in Electron, Breda

Current MFA participant Maurice Nuiten has started a new series of short presentations at de Kopse Kant in Electron. So far he invited Piffin Duvekot, Thom Brand and Helga Jakobson to make a presentation.

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Tonight, the first one in the series is opening: 60 c Baumwolle, an exhibition with site specific work. For more info, keep an eye on their website:

http://www.electronbreda.com/agenda/expo/60-baumwolle/

The Only Rule is Work

Video by Helga Jakobson, 2016

All MFA participants and core tutors Erik Hagoort, Thomas Bakker plus invited guest tutor Iede Reckman spent a good time in Glasgow last april, 2016. We did studio visits with our colleagues of the Glasgow School of Art MFA, visited Market Gallery for a meetup, Sculpture Studio’s Glasgow and much more.

An important part of the trip was the presentation and event at House for an Art Lover in Glasgow. HFAAL generously hosted us in- and outside of the exhibition space, allowing experiment and working in-and with the moment as it presented itself to us. After the event, the manifestation of Glasgow International opened. Every venue in town was packed with exhibitions, talks and events.

Our trip was aimed at exploring a new place by also giving, contributing to it in making. In the video above you can get a glimpse of how that idea turned into The Only Rule is Work. Thanks to all involved for making it a special experience; participants, tutors, Iede Reckman, Gemma Mannion (House for an Art Lover), Conor Cooke (Market Gallery), John Calcutt (Glasgow School of Art) and their MFA participants, and all others involved.

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The Only Rule Is Work; Glasgow, Scotland

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Master’s Exhibition Glasgow, Scotland

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To Whom It May Concern, Raphael Langmair solo at P/////AKT, Amsterdam

Pakt-image-1024x808MFA graduate Raphael Langmair (2012) has a solo presentation at P/////AKT, Amsterdam – opening saturday march 12, 2016  20.00 -24.00 h.

In 2016 P/////AKT is focusing on the conceptual legacy of Marcel Broodthaers’ 1964 work Le Pense-Bête and its relevance in current discourse. P/////AKT will outline six aspects of Le Pense-Bête, each of which comprises a solo exhibition, a public event, and an essay. The second aspect deals with transition, gesture and authenticity. The act of rendering his collected poems illegible by casting them in plaster is exemplary for the transitory qualities of Broodthaers’ artistic practice.

Pense-Bête II
Object: As an act

Raphael Langmair
To Whom It May Concern

Reflected upon by Elise van Mourik
Essay by Maxine Kopsa

Opening: Saturday 12 March, 20 – 24 hrs
13 March – 10 April 2016
(Thu-Sun, 14-18 hrs)

Onderbroken Stad, Antwerp BE

On march 4, 5 and 6 Helga Jakobson, Marta Masiero, Adriano LaLicata, Thom Brand and Nina Orteu (all current MFA AKV|St.Joost participants) and alumnus Maud Oonk (2015) participate with artistic interventions in Onderbroken Stad.

With the event ‘Onderbroken Stad’ the new Antwerp Research Institute for the Arts (ARIA) will be launched. ARIA is a collaborative undertaking by Universiteit Antwerpen, Sint Lucas Antwerpen, Koninklijke Academie voor Schone Kunsten Antwerpen en het Koninklijk Conservatorium Antwerpen. The event takes place in the Koninklijke Stadsfeestzaal and beyond in an empty shopping mall, in Antwerp.

For the full program, please check:

http://www.onderbrokenstad.be/index.html

 

 

Bas van den Hurk, residency Los Angeles

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MFA tutor Bas van den Hurk is currently on a two-month residency in Los Angeles, at 144 LaBrea, together with AKV|St.Joost BFA graduate, Thomas Swinkels.

Follow their working period here:

144 LABREA

Bas van den Hurk

Thomas Swinkels

All – solo exhibition Adriano La Licata, Von Holden Studio Palermo

 

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Adriano La Licata, VHS 2015

Current MFA participant Adriano La Licata (IT) has a solo exhibition at Von Holden Studio, Palermo – curated by Francesco De Grandi and VHS.

17.12.2015 – 17.01.2016 / Opening december 17th, 19.00 h

“It remains this strange sense of a light and sweet work, so pure it can reach the innocence, but intense and sincere at the same time.”

Francesco De Grandi

Von Holden Studio opens the exhibition season with ‘ALL’, solo exhibition of the Sicilian artist Adriano La Licata (Palermo, 1989), enhanced by the curatorial support of artist Francesco De Grandi, one generation older than him and always attentive to the nursery of artists in the capital.

The exhibition, which opens Thursday, December 17, 2015 at 19:00, is composed by a clear body of work, 3 key moments of the latest research of the artist. It has been preferred to focus on a few elements as specific as fragile, along the balance of the biographical abstraction. Between documentation and ambiguity, amongst a delicate tragicomic vein and a strong meditative propensity, Adriano La Licata investigates – as he describes in his own words – ‘ that sensitive energy which arises between two or more points’.

Von Holden Studio

Adriano La Licata

 

Maurice Nuiten participates in Ongekend Talent Expo, Affordable Art Fair

Maurice Nuiten, from the series ‘Somewhere In Between’, 2014

Current MFA participant Maurice Nuiten participates in the Ongekend Talent Expo, part of the Affordable Art Fair. All participants are recent graduates and will develop new work for the exhibition. The Fair will be held oct 29 – nov 1, Kromhouthal, Amsterdam – Noord.

More info here

http://mauricenuiten.nl

Solo exhibition Marjolijn Dijkman, Fotokuu Biennal Talinn

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MFA tutor Marjolijn Dijkman has a solo at Rundum, as part of the Fotokuu Biennal in Talinn, Estland.
The film installation In Our Hands is based on research into hand gestures that were developed to influence, heal, predict – or ward off – the future. The final choreography includes a range of gestures from diverse sources – from spiritual to political to military – that have become removed from their original context. The film consists of a with motion capture produced animation of two virtual transparent hands. In Our Hands relates to current debates around Artificial Intelligence, it’s often anthropomorphic character and the concept of singularity with a form of super intelligence that we will or won’t keep in control.
 The accompanying sound piece in the exhibition is a composition made of 18 computer generated binaural tones or brainwaves.

The exhibition opens tonight, thursday oct 22, and runs until november 8th.

www.marjolijndijkman.com

http://www.fotokuu.ee/2015/

Solo Rozemarijn Westerink

MFA alumnus Rozemarijn Westerink (2007) has a solo exhibition coming up at Galerie Majke Husstege in Den Bosch. The exhibition opens on sunday october 25th, 16.00 h.

Westerink will show an installation of wall drawings and work on paper.

More info here and here

Rozemarijn Westerink

Rozemarijn Westerink

Workshop Politics of Installation, 7.09 – 10.09.2015 Process and Findings

What happened during the workshop week Politics of Installation? Jack Segbars wrote a small recap on this week’s work process, findings (and some images, too).

Adriano La Licata, Ielse Slager, Vinh Tanh

Adriano La Licata, Ielse Slager, Vinh Tanh

Proceedings

The participants were first asked to present there work in a general sense and to give an overview of their recent projects. In their presentation they also had to focus on the topic at hand: how do you relate your work and artistic practice vis a vis its mode of dissemination, (institutional/spatial) exhibition formats, presentation and publication and? How is the work informed, structured, projected and presented concerning these qualities?

Maurice Nuiten, Piffin Duvekot

Maurice Nuiten, Piffin Duvekot

Duo

After these presentations the students teamed up in duo’s by choice, depending on overlap, communality or productive relation (methodically or conceptually) to one another. The assignment was to jointly, working with elements in each others work, come up with a presentation that would address the topic of the workshop. What is needed to bridge different modes of artistic methods of the individual participants into one presentation? In this way issues of authorship/coöperation immediately emerge, and are made operational vis a vis the topic in general.

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Results

The results were, as could be expected, very diverse. A lot of effort was made to thoroughly investigate ones stance towards the topic, and the way one wants to work mediating this stance in a coöperative set-up of. This element further enhanced the need to be precise.

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How can one maintain one’s own idea’s in a coöperative endeavour? How is it maintained, how adaptable can one be? Issues of control, authorship arose. Mutual overlap in affinities or approach led to the search for one’s specific take or expertise that could be brought into the joint presentation.

Most teams came up with solutions that radicalized and accentuated their respective individual artistic ideas. Some focussed on the institutional aspects and worked with those, while others used the this aspect to redirect the audience’s attention to a more subjective and personal narrative.

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Some teams moved in-between these two poles, intricately weaving the qualities of the general and the subjective. The coöperation mostly proved fruitful and productive, showing that students are comfortable with the idea of working in a group, countering the accepted notion of the artist as ego-driven agent by necessity.

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Thank you Jack Segbars, all students, tutors, and Atelierbeheer Den Bosch for providing us with generous workspace!

MFA Workshop Politics of Installation, with Jack Segbars

At the start of the year, the first and second year MFA students collaborated in a weeklong workshop Politics of Installation (in artistic practice and program) with Jack Segbars. What are the topics and questions at stake in the workshop?

Where in the model of contemporary arts: a hybrid and joint undertaking between artists, institutions, curators, theory and critique is the actual ‘object’ of art located and generated?

The artistic practice is an interconnected mode of production, not solely defined by the artist. The legacies of Conceptual Art, Minimal Art and Institutional Critique demonstrate that the conditions and parameters of art production are essential elements in establishing the content and mode of operation of the artwork.

The Curatorial, Educational, Historiographical and Discursive Turns, that have ex- panded the scope of context and layerings of conditions, that have become part of artistic strategies and content, can be seen as further examples of this development. Es- pecially now in what is called the Post-Conceptual condition, in which the dominance of the conceptual as quality, frame of evaluation and as institutional framework, governs artistic production (Peter Osborne), it is crucial to re-evaluate artistic methodology in order to (re-) gain critical agency.

The aim of the workshop is to explore the individual take to this topic. How is ones work situated and operational concerning the expanded notion and set-up of production? The central issue, through which we will explore this, is through the notion of the ‘Installation’. As Boris Groys has stipulated in his essay: Politics of Installation: no- wadays the manner in which art is mediated and presented, its context of production, is an integral part of content, that artist need to negotiate. According to Groys this also provides for possibilities of agency.

The installation is a key concept to define the context of art production including cu- ratorial, institutional, issues of authorship and discursive/theoretical aspects of pro- duction. The term ‘installation’ can serve as instrument to see the production of art as a constellation involving all these components.

We will research this topic through group discussion and group work on location, and will work towards an end presentation at the end of the week.

Jack Segbars is an artist, writer, curator amongst others living and working in Rotterdam, NL.

http://www.segbars.nl

Trip Ghent, 2015

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Charlotte van Buylaere, These Things Take Time

At the start of the new academic year, all master students left for a short trip to Ghent. In Ghent, the MFA visited These Things Take Time, an interdisciplinary project space located in the centre of Ghent, and Studio Manor Grunewald as well as collective visits to S.M.A.K. (Lili Dujouri, Jef Geys, Sol Lewitt), Museum Dhont Dhaenens (Proximus Collectie), and Museum Dr. Guislain.

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These Things Take Time

Studio Manor Grunewald

Finding the Unexpected – Lecture Sebastian Olma

Sebastian Olma, AKV|St.Joost’s newly appointed researcher in the field of Autonomy in Art and Design, gave his first public lecture at AKV|St.Joost at the start of the academic year.

Also, the second newly appointed researcher, Michel van Dartel, introduced himself briefly. He will start in November as a researcher Human Oriented Creation in Art and Design.

In his lecture Serendipity in art: an explorationOlma provided an insight and introduction into his current topic of research

To exist as an artist, is to dare to throw oneself into the adventure of serendipity*

*The radical exploration of the present conditions of feeling and sensing 

Also, he spoke about exhibitions he saw over the summer; Black Mountain College at the Hamburger Bahnhof, and Zero, let us explore the stars – at the Stedelijk Museum, Amsterdam.

Last call for application / deadline augustus 24th

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MFA trip BucharestAIR, 2014

The MFA invites to a final call for applications, deadline august 24th

find the call here

Open Studio 2015: introduction of participants

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The 1st years made a small booklet for the upcoming open studio’s to introduce their practice.

You can view the whole booklet here:

OpenStudio2015

Please be welcome for the opening this week, july 2nd 16.00 h, Onderwijsboulevard 256, Den Bosch

The Collection, MFA graduation show at Greylight Projects, Brussels

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You are cordially invited  for The Collection, MFA AKV|St.Joost graduation show taking place at Greylight Projects, Brussels!

Danni van Amstel (NL), Katrein Breukers (NL), Giulia Cenci (I), Katherina Heil (D), Tyas Leeuwerink (NL), Maud Oonk (NL), Mohadeseh Rahimitabar (IR) and Maarten Spons (NL).

Opening: july 4 2015, 5 PM!

Greylight Projects

Politics of Installation II, P/////AKT Amsterdam – opening sat june 13, 20.00 h

MFA tutor Bas van den Hurk exhibits at P/////AKT, Amsterdam with Hans Demeulenaere (B) and guest artists Koenraad Dedobbeleer (B) and Lorelinde Verhees.

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“By taking aesthetic responsibility in a very explicit way for the design of the installation space, the artist reveals the hidden sovereign dimension of the contemporary democratic order that politics, for the most part, tries to conceal.” – Boris Groys

Politics of Installation is a two-part dialogue between Bas van den Hurk and Hans Demeulenaere, in which they examine their own and each other’s practice, in order to form a new series of works and presentation models together. After the first part in Loods 12 in Wetteren (B), the final part is now presented in P/////AKT. A combination of new works and parts of the previous show, will be displayed in a new arrangement.

Bas van den Hurk’s work is on the verge between painting, fashion, sculpture, installation, architecture and performance, by which he addresses the process of making in its various forms. Hans Demeulenaere plays with the perception of space. His work consists of objects, constructions and frames which integrate both sculptural and daily elements. In Politics of Installation, a title that is derived from a text by Boris Groys in 2009, the artists ask themselves to what extent the making of an installation can attach certain (political) meanings to a space. How do we relate to a shared space? How do we negotiate its use and meaning?

The binding factor in the work of Van den Hurk and Demeulenaere is the changing relation between autonomy and heteronomy. For this reason, they offer multiple points of view in this exhibition. They invited guest artists Koenraad Dedobbeleer and Lorelinde Verhees to make a contribution, as well as several text writers and especially the audience. In this way, the physical space of P/////AKT becomes a ‘place for negotiation’, where the artists engage in a dialogue on the work and the arrangement of the space. Art work and exhibition element will merge somewhere between showing and looking.

Also, an art historical line will be drawn by means of architectural interventions. Bas van den Hurk (re-)constructs a concrete circular element, based on the work of Belgian architect Juliaan Lampens, who introduced the ‘open plan living’ in the 1960’s. He will also present clothing works in collaboration with Sanne Jansen, paintings and bottles with remains from the painting process. Hans Demeulenaere shows a combination of existing and new work, amongst which a reconstruction of a part of the Sonsbeek-pavilion from 1965-’66, built by Aldo van Eyck. Recently, this pavilion was rebuilt in the sculpture garden of Kröller-Müller Museum.

Politics of Installation, part 2 is the third exhibition in the series Not Making Sense As Something Else, which is reflected upon by Freek Lomme (moderator) and Marnie Slater (writer).

http://www.pakt.nu

Save the date: MFA Graduation Exhibition, opening July 4th

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Coming up: the MFA Graduation Exhibition! We will present our final works at Greylight Projects in Brussels, opening july 4th, 16.00 h. With works of Maarten Spons (NL), Giulia Cenci (IT), Katherina Heil (D), Mohadeseh Rahimitabar (IR), Katrein Breukers (NL), Maud Oonk (NL) and Tyas Leeuwerink (NL). Guest curator is Petra Heck. You are cordially invited.

More info tba!

Don’t you wonder sometimes? (A formulary for a new heterotopy)

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(Thomas Raat, ‘Grid’, 2012)

Current MFA student Maarten Spons and graduate Lorelinde Verhees (2011) participate in a group exhibition, as part of the Eindhoven Psych Lab.

Expo curated by Glenn Peeters (Radar Men From The Moon) and Pernilla Ellens. Location: Nulzes, opening June 4, 7 pm, with performances and drinks. June 5 / 6 / 7, open from 11 am – 8 pm.

In Sound and Vision, David Bowie sings about the moment of wonder in place and time, in which ideas and inspiration can emerge. It is this moment of wonder that is expressed in the exhibition, that will show a mixture of works, artists and methods. Quoting from pop culture and philosophy, the exhibition functions as a temporary autonomous zone.
The works are fascinating expressions of individual research and will contribute to the festival ambiance, but in the show autonomy, depth and originality will be preserved. Don’t you wonder sometimes? expands the visual side of modern psych. With Marijn van Kreij, Gaia van Egmond, Thomas Raat, Lorelinde Verhees, Glenn Peeters and Maarten Spons.

You’re cordially invited!

Everything arranges itself around it: solo exhibition Pim Kersten at Arti Capelli

MFA graduate Pim Kersten (2012) has a solo exhibition coming up at Arti Capelli, Den Bosch. Opening may 31st, 16.00 h. The exhibition runs until July 25th.

Pim Kersten

www.articapelli.nl

CALL FOR APPLICATIONS: MAY 25TH, 2015

Considering to apply for an MFA at AKV|St.Joost? Upcoming deadline for the next round of applications is may 25th.

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Elsbeth Ciesluk installing her work, Hengelo 2012

Profile

The two-year Master of Fine Art is practice-oriented with a strong, stimulating theoretical component.

What does it mean to be an artist today? The focus of the Master course lies on the development of your work and to strengthen your position in the (art)world. Based on the strengths, demands and positions of artists within the current socio-economical reality, you are interested in researching alternatives, durable methods and models within a contemporary art practice.

We’re looking forward to your applications!

http://www.akvstjoost.nl/en